Building a handcrafted, sustainable jewelry brand – Lizzy Klein of mazi + zo
Lizzy Klein
United States
teamMZ@maziandzo.com
Full-time
Open to opportunities: Yes
Founder Socials
mazi + zo
Physical Location - Country: United States
1-10 (Small Business)
https://www.maziandzo.com/
Established: January 2019
Business Type: Product
Category: Retail and Consumer Goods
Subcategory: Apparel and Fashion
Niche: Jewelry and Watches
Segments: B2C (Business-to-Consumer)
Structure: Private
Business Socials
Annual Revenue (USD)
Business Book
- Instead of a book, a podcast recommendation is Freakonomics, particularly the episode called "The Upside of Quitting".
Productivity Tool or Tip
- A productivity tip is to put your to-do list on your calendar. This helps with time management because if you don't map out how long tasks will take, you risk not prioritizing effectively. It also includes personal tasks like exercise and meals to ensure balance and focus.
Inspirational Peers or Entrepreneurs
Innovative Product or Idea
- AI and AR tools
Startup or Business
Best business advice
“You can learn something from everyone you talk to.” Even if you know someone isn’t right for a position after a few minutes, there’s still valuable insight to gain from the conversation.
INTERVIEW VIDEO (Length – 42:45)
PODCAST AUDIO
Intro
Lizzy Klein of mazi + zo shares how she created an online jewelry store that provides jewelry lovers out there with all the unique designs made with sustainably-sourced materials.
Creating Mazi + Zo
When I first started Mazi and Zoe, it began as a sorority jewelry company. I wanted a name that would feel familiar and appealing to sorority women—something trendy with two names that complemented each other.
I did quite a bit of research to find names that were meaningful but not overly precious. I discovered that “Mazi” means “together” in Greek, and “Zoe” means “life,” which I thought was a beautiful combination. So I merged them to create “Mazi and Zoe.”
The name was intentionally crafted to have significance while still sounding stylish and approachable. However, I’ve found that people often mispronounce or misspell it, which has been a bit of a challenge.
Despite that, customers seem to resonate with the name and appreciate the story behind it, which has helped create a stronger emotional connection to the brand.
Redefining Sorority Style
Jewelry is a saturated market, and it’s one of the most expensive industries for running social media ad campaigns. So, differentiating my brand is crucial. I originally launched the business targeting sorority women because, around 2018, I noticed that many young influencers were sorority members. They were always seen wearing sorority sweatshirts or designer bags, but none of them were wearing sorority jewelry. It seemed like a missed opportunity, so I started looking into why that was.
What I discovered was that the jewelry being offered to them was the same stuff I had seen 30 years ago—nothing cool or modern about it. I wanted to create a line that was affordable, accessible, and high-quality, but still on-trend for those women. Over time, the business evolved. Besides catering to a niche market, I stand apart from other jewelry brands in my category, which either rely on traditional, outdated designs or produce less expensive, non-durable pieces.
As the business grew, people started to appreciate the minimalist shapes and symbols I was creating, even if they weren’t from sororities. For example, Kappa Alpha Beta has a kite as their symbol, and people loved the kite design on its own, regardless of affiliation. This led to more interest in the design style, which is sleek, simple, and modern.
What makes my line unique now is that every piece is designed to stand alone, yet they all coordinate seamlessly. With current trends, where people mix and match earrings, layer pieces, and stack jewelry, many feel intimidated by the idea of creating a look. But with my line, you don’t need to be a stylist—it all just works together. You can grab any combination, and it’ll look great.
Sorority Sparkle
I have an interesting mix of audiences. For sorority women, when they search for sorority jewelry or specific sorority names like Kappa Alpha Theta jewelry, I appear pretty high in the results. My designs stand out, and they like the uniqueness of it. I also do outreach directly to sorority chapters, which is a bit like B2B marketing. By contacting the organizations on campuses, I can reach anywhere from 60 to 500 women with a single outreach.
For my broader line, my customer base comes in through various channels. I initially launched the brand to friends and family, and it gradually expanded from there. I’ve experimented with every form of marketing, and over time, I’ve found that certain niche products tend to draw customers in, and then they browse and shop for more.
One example is my vote necklace, which I launched in 2020 to raise money for Michelle Obama’s organization, When We All Vote. It gained a lot of press attention, especially since there were many vote necklaces out there, but mine had a unique design. The campaign helped me build a significant email list from the sales, and now I’m planning to reignite the “vote” concept this year.
From Fashion to Founding
I started my career in fashion but only stayed in it for a couple of years. I became disillusioned because the fashion industry can be a bit sketchy, and it wasn’t as business-oriented as I had hoped. I then stumbled into the New York City startup community, where I’ve worked for over 25 years—both as a founder and in roles for other startups, including as an advisor and investor. I’ve been very involved in that space.
Before starting this business, I had a previous venture, an app in the beauty category, which did really well. After that, I spent some time as an entrepreneur in residence with a small venture capital fund, thinking about my next move. That’s when I had the “aha” moment while scrolling through Instagram, which led me to where I am now.
Focus on Consumer Trends
I consider my business primarily direct-to-consumer, but my experience spans across several consumer categories. In all the startups I’ve worked at in New York City, I’ve focused on industries like health and fitness, beauty (specifically digital products related to hair), and home shopping. Throughout my career, I’ve always been focused on understanding what people want and how to meet those needs.
Sustainable NYC Jewelry
I’m very proud that we manufacture our jewelry right here in New York City. I have no interest in outsourcing manufacturing overseas; it’s important to me to engage the local manufacturing community. We use only solid 14k gold and pure sterling silver, both of which are recyclable and sustainable.
One of the beautiful aspects of fine jewelry is that it can be recycled and repurposed, and I strive to make my business as sustainable as possible. Our manufacturing process uses Lost Wax Casting, which has been used to create jewelry since ancient times. While I won’t dive into the technical details, you can find more information on it through my Instagram reels or by Googling it.
3D Printing Jewelry
We send digital files to a shop that 3D prints the models, which is a major advancement in jewelry making technology. In the past, pieces had to be carved from stone, but now we can 3D print the models. After that, a mold is created, and the piece moves to my workshop, where it is crafted and polished by hand.
Crafting with Purpose
I wish I could say that every item is made to order, but that’s not entirely true. I generally keep one or two of each piece on hand. However, when there’s a surge in demand, like when Michelle Obama wore my vote necklace on TV, and everyone started Googling for “vote necklace,” I don’t have the inventory to match that kind of influx. In those cases, I call my workshop, and we ramp up production as quickly as possible.
The process can’t be sped up, though—it always takes five business days, and there’s no shortcut for that. But I’ve found that customers who appreciate quality, sustainability, and original design are comfortable with that wait.
Self-Funded Jewelry Craft
I’m 100% self-funded, which is great because it didn’t require a huge amount of money to get started. Gold is expensive, but when you consider the design process, my first collection cost me around $10,000, even with iterating and recreating designs. It took me about 10 tries to get the first design right.
Thankfully, tools like Shopify and various affordable platforms made it easy to keep costs low, which I really appreciate as an entrepreneur. I do spend money on things like packaging and design, but overall, my overhead is relatively low. I’ve been able to keep investment manageable, especially since I don’t need to hold a lot of inventory.
The Jewelry Kickoff
For my first collection, I had some input on the designs, and the total cost to get it right was around $10,000. The first product itself probably cost about $1,000, and then I iterated to expand the collection, which had about 10 pieces. Before going online and selling, I had to get my sorority jewelry licensed. I had to submit designs for approval to the licensing authority before I could move forward.
To test the designs, I made an appointment at the Kappa Alpha Beta House at Columbia University and hosted a study break with pizza and cookies to gather feedback from college students. Every single person who came made a pre-order, which gave me a lot more confidence in the business. I started with one sorority and used direct mail campaigns to reach other sororities, as their physical addresses are available online. Since I needed to be licensed for each sorority and each piece of jewelry, it was a bit of a ramp-up process, but it allowed me to build gradually.
Smart Branding Strategies
I just came back from Kappa Gamma’s convention, and I was considering using their three-letter abbreviation (Kappa, Gamma) to target their audience. However, to do that legally, I would need to obtain a license.
It’s similar to how major brands like MLB or Disney operate. You can’t use their logos or symbols without permission because they protect their intellectual property. These brands invest heavily in their image and want to control how their marks are used.
If I want to use Kappa Gamma’s letters for commercial purposes, I’d have to go through their licensing process, which includes paying any required royalties or licensing fees. Without this permission, I’d be infringing on their trademarks.
In short, to take advantage of a brand like Kappa Gamma, I need to respect their intellectual property by getting the proper licensing to avoid any legal issues.
Designs that Connect
Back in the spring of 2019, when I was doing test marketing, I faced a challenge because sororities typically break up for the summer, so there wasn’t a lot I could do during that time. However, I found that people really liked the shapes I was making. While my initial focus was on sorority-specific symbols, I realized that designs like stars weren’t restricted to that audience; anyone could wear them. This led me to start expanding my offerings.
Ahead of the 2019 holiday season, I developed a broader collection with more universal designs, like hearts, crosses, Jewish stars, and flowers—symbols that people are familiar with and comfortable wearing. The goal was to cater to those who weren’t necessarily affiliated with a sorority. This approach worked well, and during the end of 2019, I participated in holiday markets in New York, where these shapes and symbols performed really well.
One of the biggest challenges for my business has been deciding where to focus my efforts. Before the news last week shifted my focus a bit, I had been primarily focused on the sorority market. This audience is where I felt most differentiated, and my goal was to build a customer base that would continue shopping with me even after they graduated.
I’ve already seen this strategy work in practice—many of my customers started by purchasing sorority-themed pieces, like necklaces with their sorority letters, and then returned later to buy more general designs, like a necklace with stars. This repeat business is a key part of my long-term vision for building a loyal customer base.
Trendy Ad Tactics
From my experience, I’ve found that certain items really resonate with people. For example, I’ve got a cute lightning bolt necklace that people actively search for, and my weed necklace also gets a lot of attention. Additionally, I’ve had great press coverage, which has helped me reach a wider audience. My zodiac necklaces were featured in Bogue, my vote necklace made it to the Huffington Post, and my hashtag was mentioned in Entertainment Weekly. These mentions have led people to discover my brand, and I’ve also had bloggers share my pieces, which has helped with exposure.
I’ve also experimented with influencer marketing, trying various strategies, but so far, it hasn’t really worked for me. In addition, I’ve invested in Google ads and social media ads, but none of them have performed as well as I’d hoped. However, the one area that continues to yield the best results for me is SEO. Straight-up search engine optimization has been the most effective way to drive consistent traffic to my website.
Cracking the Jewelry Code
I don’t think TikTok is the best platform for my jewelry, primarily because it’s more of a considered purchase at my price point. For example, a $30 bracelet might be something someone grabs on a whim, but jewelry like mine requires more thought. It’s not a quick buy for most people.
Another challenge I face on social media is that my jewelry is very small. Even if a well-known person is wearing it, it doesn’t always stand out in photos unless the piece is zoomed in on. It’s hard to capture the details effectively in standard content, which makes it tricky to showcase the beauty of the pieces.
I haven’t cracked that challenge yet, but right now, I’ve decided to focus more on the sorority market. I understand that audience well. For example, at the National convention this week, I spoke to about 150 women from that sorority, and I’m looking forward to continuing to build relationships and do more business with them.
Fair Jewelry Pricing
My goal is to provide jewelry at the fairest price I can. I calculate my pricing based on the cost of labor and materials, then add just enough to cover overhead and keep the business running. I also have to factor in fluctuations in gold prices, as they change daily. This helps me keep my pricing competitive and transparent.
When compared to traditional jewelers, like those in malls or on Madison Avenue, who mark up their prices by eight to ten times, my approach is more affordable. Online jewelers, especially those without a physical storefront, often mark up prices by three to five times. My pricing is lower than that, but still reflective of comparable quality and brand.
I’m also priced lower than some other major jewelry brands in the market, but I want to emphasize that my pieces are of a higher quality. There are other brands that offer jewelry at lower prices, but their quality doesn’t match mine. While I’m not trying to discredit those brands, we’re simply operating in different segments of the market.
Finally, while some of these larger brands are priced lower, it’s worth noting that we don’t know whether they’re profitable. That’s an important consideration when comparing businesses in this space.
Smart Market Expansion
The only other online marketplace I’m currently in, besides my own site, is a sorority jewelry affiliate marketplace. This marketplace is run by the licensing organization, which is a smart move on their part. They have a central site for all the sororities they work with, and individual sororities also have their own sites, like shoptriedelk.com, where I’m featured.
Additionally, I’m starting to do some outreach for wholesale opportunities. However, the economics and cash flow of wholesale are very different from direct-to-consumer sales, so I’m being cautious in this area. One of the key challenges, as you mentioned earlier, is the cost of holding large amounts of inventory. I don’t want to end up overproducing a certain item, like a hundred lightning bolt necklaces, only to have them returned to me unsold. So I’m moving slowly with wholesale to ensure I manage inventory more effectively.
Jewelry Shipping Talk
My jewelry price point is relatively accessible. A pair of silver earrings is priced around $68, with individual earrings starting at $34 and threader earrings at $44 in silver. My highest-priced items are generally under $350, so we’re not talking about $3,000 pieces. Because of this, I rarely insure shipments. If I’m sending multiple necklaces together, I might insure the package, but overall, the cost of insuring isn’t justified for the type of items I sell.
To date, the USPS hasn’t lost any of my pieces, which is a relief. I primarily ship domestically within the U.S., as I’ve had some challenges with international shipping. For instance, I once shipped three gold pieces to a sorority woman in Canada, which turned out to be a high-ticket order. When she went to pick it up, the customs fees were astronomical, almost as much as the cost of the jewelry itself. I can’t have that happen to my customers, so I’ve decided to avoid that situation.
Additionally, I’ve found that certain international markets, like London, have strict regulations for how jewelry is treated. To ship there, I would need to have my jewelry inspected and stamped at a dock facility, which would add significant costs and make it prohibitive for me. For now, shipping within the U.S. is the most feasible option.
Creative Partnerships
I’m primarily the one running the show full-time, handling everything from creative direction, marketing, fulfillment, and operations to CFO and legal responsibilities. However, I’m fortunate to have an incredibly talented designer, Daniel Martin Kennedy, who’s been a key partner in helping move the brand forward. Daniel is known for designing high-end men’s jewelry, and I reached out to him as a friend to help with my brand. It’s been a brilliant partnership, as his talent has pushed the design in ways I couldn’t have done on my own. We have a great dynamic, with him often wanting to push more fashion-forward designs, but I always keep in mind that my customer isn’t necessarily looking for the latest trend, so we strike a good balance.
Additionally, I work with a production manager in New York who’s a real expert in the field. The jewelry industry can be tough to break into, and manufacturing shops aren’t always eager to work with someone who’s new to the space, especially a woman coming from a tech background. So, I’m lucky to have someone who’s worked with major brands and now runs her own production business, helping me bring designs to life.
Finally, I collaborate with various agencies on marketing and other aspects of the business to round out the team and help push things forward. The combination of my expertise and the incredible talent around me has been crucial in building the brand.
Supporting NYC Makers
One limitation I face is that I’m committed to keeping production in New York City. It’s important to me to support the local manufacturing community here, and it’s a core part of my brand’s ethos. I want to work with people locally, pay a fair wage, and ensure the production process is as sustainable and ethical as possible. Keeping everything in New York allows me to have a direct, hands-on approach and maintain the level of oversight and transparency I value. I can’t achieve that if my production is far away.
Balancing Growth and Advocacy
Looking five years ahead, I definitely want to scale my business. My goal is to be in every sorority house across the country, while also expanding the reach of my broader, unaffiliated designs. However, recent events have shifted my focus a bit. The news about the overturning of Roe v. Wade has inspired me to make a difference in a more direct way. As a result, I’m planning to launch a new design featuring the Venus symbol for women, which will be part of a capsule collection.
The proceeds from this collection will be donated to an organization I support, and I’m still finalizing the details. This idea came to me on Friday, and I’m currently working out how best to execute it. Over the next four to six months, I anticipate focusing a lot of my energy on this initiative, blending my passion for both business and social impact.
Mistakes Made and Lessons Learned
One mistake I made with my current brand was focusing too much on creating sustainable, reusable packaging without fully considering the challenges it would bring. I was inspired by a product that came in a little tin, which I kept using for things like vitamins or spare change. I loved the idea and wanted to implement something similar, so I created simple, round tins with my sticker on top and some internal packaging.
However, I didn’t anticipate how difficult it would be to keep everything aligned with that round design. For example, the jewelry cards and the stickers all had to be round, and if I run out of one, I can’t just quickly get replacements. This led to some issues, like when I sent packaging materials ahead for an event, but the tins didn’t arrive on time. I had to rush to a local store and redesign everything on the fly. While people appreciate the packaging and often post about it on social media, I realized I should have thought more about the downstream effects before committing to that design.
Rapid Fire Segment
In this rapid-fire round, I’ll answer a few quick questions in one word or sentence. First, my favorite podcast recommendation for entrepreneurs is Freakonomics—specifically the episode called “The Upside of Quitting.” It reframes the concept of sunk costs and ROI, especially for entrepreneurs. It helps you understand when it’s time to walk away from something, which is an invaluable lesson.
The core takeaway from that episode is to evaluate your efforts honestly and understand that sunk costs shouldn’t prevent you from making the best decision in the present. Growing up, I was taught to never quit, but it’s essential to recognize when something is no longer working, which isn’t about giving up but about moving toward something more successful.
As for an innovative product, I’m excited about the advances in AI and AR tools for virtual try-ons in the jewelry space. These tools have improved significantly, and I’m looking forward to incorporating them into my business to let customers try on earrings virtually, especially for unique piercings.
A productivity tip I recommend is putting your to-do list on your calendar. It’s not just about writing things down; you need to block time for each task. I even schedule breaks, lunch, and exercise. It helps you stay focused and ensures you give time to your highest priority tasks.
When things don’t go according to plan—say, a task takes longer than expected—I reassess. I either decide to keep going and push back other tasks or switch gears, but I always make sure to reassess and adjust.
In terms of startups I admire, I think both Shopify and Canva have done an excellent job evolving their platforms to empower users, even those who aren’t designers by trade, like me. They make it possible to do so much with little technical skill, and I’m truly impressed by both.
A businessperson I admire is Norma Kamali, an iconic designer who’s been around since the ’60s. She’s constantly evolving and has embraced new platforms like TikTok to share things like yoga videos with her granddaughter. Her ability to stay relevant while maintaining her cool factor is inspiring.
The best business advice I’ve received is that you can learn something from everyone you talk to. Even if you know after five minutes that a candidate isn’t right for the job, there’s still something to learn from them. You never know how a tidbit from a completely different industry or background might spark an idea that works for your business.
Finally, if anyone wants to check out my products, you can find us online at maziandzoe.com, or follow us on Instagram at @maziandzoe. And as a special offer for your audience, I’ve created a discount code Talk 20 for 20% off your purchase, valid for 30 days after this airs.
Best Business Advice
Someone once told me, “You can learn something from everyone you talk to,” and I try to keep that in mind. For example, when interviewing someone for a position, you might know within the first five minutes that they’re not the right fit. Even then, I don’t want to waste anyone’s time. Instead of ending the conversation early, I focus on what I can learn from the rest of the discussion. People from different industries, environments, and cultures often share insights that might not be directly related to the topic at hand, but that tidbit can end up sparking an idea or solution that works for me. It’s a helpful mindset to adopt in any conversation.
Episode Overview
Host: Sushant Misra
Guest: Lizzy Klein, Founder of Mazi + Zo
Date: 2022 (exact date not specified)
Overview: Lizzy Klein, founder of Mazi + Zo, an e-commerce jewelry company based in New York City, shares her entrepreneurial journey on the TrepTalks podcast. Starting as a sorority-focused jewelry brand in 2018, Mazi + Zo has evolved into a minimalist fine jewelry line with broad appeal, emphasizing sustainability and quality. Lizzy discusses her inspiration, differentiation strategies, customer acquisition, manufacturing, pricing, and future plans, along with key lessons learned.
1. Business Overview
- Company Name: Mazi + Zo
- Location: New York City, USA
- Industry: E-commerce, fine jewelry
- Founding Year: 2018
- Mission: To create affordable, high-quality, minimalist fine jewelry with personality, initially for sorority women and later for a broader audience, with a focus on sustainability and local production.
- Product Range: Handcrafted fine jewelry made from solid 14-carat gold and pure sterling silver, including sorority-specific designs (e.g., Kappa Alpha Theta’s kite symbol) and universal minimalist pieces (e.g., stars, hearts, zodiac necklaces). Prices range from $34 (single silver earring) to $350.
- Unique Selling Proposition: Minimalist designs that coordinate seamlessly for easy mixing and matching, sustainable and ethical production, and a niche focus on sorority women with expansion to general consumers.
2. Entrepreneurial Journey
- Background:
- Lizzy started her career in fashion but became disillusioned due to its “sketchy” nature.
- Spent 25+ years in NYC’s startup ecosystem as a founder, employee, advisor, and investor in consumer-focused startups (health, fitness, beauty, home shopping).
- Immediately before Mazi + Zo, she ran a successful beauty app and was an entrepreneur-in-residence at a venture capital fund.
- Inspiration for Mazi + Zo:
- In 2018, Lizzy noticed a gap in the market: young sorority women (prominent as influencers on Instagram) wore sorority-branded sweatshirts and accessories but lacked modern, trendy sorority jewelry.
- Existing sorority jewelry was outdated (“not cool 30 years ago”) and not appealing to younger audiences.
- The name “Mazi + Zo” was inspired by Greek words “Mazi” (together) and “Zoe” (life), chosen to resonate with sorority women while being trendy, though it’s often mispronounced or misspelled.
3. Market Differentiation
- Jewelry Market Challenges:
- Highly saturated market with intense competition.
- Expensive social media ad campaigns due to high demand for jewelry advertising.
- Differentiation Strategies:
- Niche Focus: Initially targeted sorority women, a specific and underserved demographic, with licensed designs for sororities like Kappa Alpha Theta and Kappa Gamma.
- Design Philosophy: Minimalist, high-quality fine jewelry that stands alone or coordinates seamlessly, appealing to customers intimidated by complex layering trends.
- Sustainability and Quality: Uses recyclable 14-carat gold and sterling silver, handcrafted in NYC to support local manufacturing and ensure ethical production.
- Contrast with Competitors: Stands apart from traditional, outdated sorority jewelry brands and low-quality, inexpensive alternatives by offering affordable, long-lasting fine jewelry.
4. Customer Acquisition and Marketing
- Sorority Audience:
- SEO: Ranks high in searches like “Kappa Alpha Theta jewelry” due to optimized product listings and visually distinct designs.
- Direct Outreach: Targets sorority chapters (60–500 members each) via direct mail, emails, and in-person engagement at national conventions (e.g., Kappa Gamma’s convention).
- Licensing: Requires approval from sororities to use their letters and symbols, akin to licensing for MLB or Disney, ensuring brand authenticity.
- Example: Hosted a study break at Columbia University’s Kappa Alpha Theta house, where all attendees pre-ordered, validating the concept.
- Broader Audience:
- Media Exposure: Gained traction through press coverage, e.g., zodiac necklaces in Vogue, vote necklace in Huffington Post, and hashtag necklace in Entertainment Weekly.
- Signature Products: The “vote necklace” (launched in 2020 to support Michelle Obama’s When We All Vote) attracted significant attention, especially after Michelle Obama wore it on TV, building a large email list.
- Word of Mouth: Started with friends and family, expanding through organic growth and targeted marketing.
- Marketing Experiments:
- Tested influencer marketing, Google ads, and social media ads, but SEO outperforms others.
- Social media (e.g., Instagram) is challenging due to the small size of jewelry, which doesn’t stand out unless zoomed in.
- TikTok is less effective as jewelry purchases at Mazi + Zo’s price point ($34–$350) are considered, not impulse buys.
5. Manufacturing and Operations
- Production Process:
- Uses the lost wax casting method, a traditional jewelry-making technique, enhanced with modern 3D printing for model creation.
- Digital files are sent to a shop for 3D printing, then molds are created, and each piece is handcrafted and polished in NYC.
- Turnaround time: 5 business days, non-negotiable due to the artisanal process, but customers value the quality and are willing to wait.
- Sustainability:
- Exclusively uses recyclable 14-carat gold and sterling silver.
- Committed to local NYC production to support the community and ensure ethical practices, avoiding overseas manufacturing (e.g., in India or China) despite potential cost savings.
- Inventory Management:
- Operates a made-to-order model, keeping minimal inventory (1–2 pieces per design) to reduce overhead and risk.
- Scales production for high-demand periods (e.g., after the vote necklace surge).
- Team:
- Lizzy is the primary operator, handling creative direction, marketing, fulfillment, operations, finance, and legal.
- Works with a talented designer, Daniel Martin Kennedy, who specializes in high-end men’s jewelry but pushes Mazi + Zo’s designs forward with a minimalist aesthetic.
- Collaborates with a production manager with experience at major brands to navigate the insular NYC jewelry manufacturing community.
- Engages marketing agencies for additional support.
6. Pricing and Sales Channels
- Price Point:
- Ranges from $34 (single silver earring) to $350 (high-end pieces).
- Pricing strategy: Covers labor, materials, and a small cushion for gold price fluctuations, with lower markups (less than 3–5x) compared to traditional jewelers (8–10x) or other online jewelers (3–5x).
- More affordable than comparable quality brands but higher than low-quality competitors.
- Sales Channels:
- Primary: Direct-to-consumer via maziandzo.com, powered by Shopify and Klaviyo for low-cost e-commerce operations.
- Secondary: Sorority-affiliated marketplaces run by licensing organizations and individual sorority websites (e.g., shoptridel.com).
- In-Person: Events like holiday markets and sorority conventions.
- Wholesale: Approached cautiously due to high inventory costs and cash flow differences from direct-to-consumer sales.
- Shipping:
- Domestic only (U.S.) due to high international duties (e.g., a Canadian order incurred duties nearly equal to the purchase price) and regulatory hurdles (e.g., London’s jewelry inspection requirements).
- Rarely insures packages due to moderate price points and reliable U.S. Postal Service delivery.
7. Funding and Financials
- Funding: 100% self-funded by Lizzy.
- Initial investment: ~$10,000 for the first full collection, with ~$1,000 for the first product and iterative design costs.
- Low overhead achieved through made-to-order production, minimal inventory, and affordable tools like Shopify and Klaviyo.
- Challenges: Managing inventory to avoid overproduction (e.g., avoiding unsold stock like “100 lightning bolt necklaces”) and balancing wholesale economics.
8. Future Vision
- Long-Term (5 Years):
- Scale to every sorority house in the U.S., leveraging licensing and direct outreach.
- Expand the broader, non-sorority collection to capture a mainstream audience, building on universal designs like stars and hearts.
- Retain sorority customers post-graduation by transitioning them to non-sorority pieces, fostering lifelong brand loyalty.
- Short-Term (2022):
- Inspired by the 2022 Roe v. Wade overturn, Lizzy plans to launch a capsule collection featuring Venus symbol threader earrings, with proceeds donated to a women’s rights organization (details TBD).
- Focus on social impact over immediate scaling for the next 4–6 months.
9. Challenges and Lessons Learned
- Key Mistake:
- Packaging Decision: Chose reusable, puck-shaped tin packaging inspired by another product, aiming for sustainability. However, overlooked downstream implications (e.g., needing custom round stickers and cards, which are hard to source quickly). This caused issues at an event when packaging didn’t arrive, forcing an on-the-fly redesign.
- Lesson: Think through the full supply chain and operational impacts of decisions before committing, even if the idea (like sustainable packaging) is appealing.
- General Advice:
- Recommends the Freakonomics podcast episode “The Upside of Quitting,” which reframes sunk costs and encourages present-moment decision-making. Helped Lizzy wind down her previous business and pivot to Mazi + Zo.
- Emphasizes learning from everyone, even in brief interactions (e.g., job interviews), as insights from diverse perspectives can inspire innovative solutions.
10. Rapid Fire Round
- Podcast Recommendation: Freakonomics episode “The Upside of Quitting” – teaches entrepreneurs to evaluate decisions without being swayed by sunk costs, helping Lizzy move on from her previous business.
- Innovative Idea: Excited about AI and AR virtual try-on tools for jewelry, which have improved significantly and could allow customers to visualize earrings with multiple piercings (not yet implemented on her site).
- Productivity Tip: Put your to-do list on your calendar, including priorities, lunch, exercise, and personal tasks, to ensure time allocation. If tasks overrun (e.g., 30 minutes becomes 45), reassess whether to continue or switch gears, mirroring normal workflow adjustments.
- Admired Business: Shopify and Klaviyo for empowering non-technical entrepreneurs with user-friendly, robust e-commerce tools.
- Inspiring Entrepreneur: Norma Kamali, an apparel designer since the 1960s/70s, who remains relevant through adaptability, including yoga videos with her granddaughter on TikTok and Instagram.
- Best Business Advice: “You can learn something from everyone you talk to” – encourages openness to insights from all interactions, regardless of industry or context.
11. Contact and Promotions
- Website: maziandzo.com
- Social Media: @maziandzo on Instagram
- Discount Code: “Talk20” for 20% off, valid for 30 days after the podcast airs.
- Engagement: Encourages listeners to explore the site and follow on Instagram for updates on new designs and initiatives.
12. Key Takeaways for Entrepreneurs
- Niche Targeting: Start with a specific, underserved audience (e.g., sorority women) to build a loyal customer base before expanding.
- Sustainability as a Value: Prioritizing ethical, local production can differentiate a brand and resonate with conscious consumers.
- SEO Effectiveness: In competitive markets, SEO can outperform social media ads for considered purchases.
- Low-Cost Operations: Use tools like Shopify and Klaviyo and maintain minimal inventory to keep overhead low, especially in the early stages.
- Adaptability: Be ready to pivot focus (e.g., social impact collections) based on external events or customer feedback.
- Learning from Mistakes: Thoroughly evaluate operational decisions (e.g., packaging) to avoid unforeseen challenges, and embrace quitting as a strategic move when appropriate.
People & Resources Mentioned in the Episode
What You’ll Learn
Interview with Lizzy Klein of mazi + zo
00:00 | Introduction |
00:39 | Inspiration for the business |
02:11 | Starting the business |
08:34 | Manufacturing process |
11:59 | Investment and funding |
13:21 | Getting the first customer |
22:35 | Price point |
24:13 | Sales channels |
25:34 | Fulfillment and shipping |
27:38 | The team |
30:45 | Vision for the business |
32:09 | Mistakes made, lessons learned |
34:50 | Rapid fire round |
Rapid Fire
In this segment, the guest will answer a few questions quickly in one or two sentences.
Lizzy Klein of mazi + zo
- Book/ Podcast recommendation that you would make to entrepreneurs or business professionals (Response: Freakonomics Podcast. Episode: The Upside of Quitting)
- An innovative product or idea and the current eCommerce, retail, or tech landscape that you feel excited about (Response: AI and AR tools)
- A business or productivity tip that you would recommend (Response: Put your to-do list on your calendar because we can all make that list)
- A startup or business, uh, in e-commerce, retail, or tech that you think is currently doing great things (Response: Shopify and Canva)
- A peer entrepreneur or business person whom you look up to or someone who inspired you (Response: Norma Kamali)
- Best business advice you ever received (Response: You can learn something from everyone you talk to)
Interview Transcript
Sushant Misra of TrepTalks: Hey there, entrepreneurs. My name is Sushant and welcome to Trep Talks This is the show where I interview successful e-commerce entrepreneurs, business executives, and thought leaders, and ask them questions about their business story, and also dive deep into some of the strategies and tactics that they have used to start and their businesses.
And today I’m really excited to welcome Lizzy Klein to the show. Lizzy is the founder of Mazi and Zo. Mazi and Zo is an e-commerce jewelry company based out of New York City that is all about effortless find jewelry with personality. And today I’m gonna ask a few questions about her Entrepre journey and some of the strategies and tactics that she has used to start to grow her business.
So thank you so much for joining me today at Trip Talks. Really appreciate it. Thank you for having me. So first of all, a very unique name, uh, for a jewelry uh, company. Can you share, you know, how did you get the inspiration for Livie and.
Lizzy Klein of mazi + zo: Sure. Originally when I started, uh, Mazi and Zoe, it’s first very beginning, the sorority jewelry company.
And so I wanted a name that would be familiar to sorority women, but sounds sort of familiar. Um, and kind of on trend have two names that went together, uh, and when I was, so I did a lot of research to find something somewhat meaningful, but not. Precious and, uh, Mazi and Greek means together, and Zoe means life.
So I mushed them up a little bit to make Mazi and Zoe, which, uh, when people try and read it, they often mispronounce and when they try and write it, they often misspell it. So that’s a little bit of a challenge, but customers seem to appreciate it, so
Sushant Misra of TrepTalks: that’s great. So you are, you are Greek by, by origin.
I’m, I’m assuming.
So maybe you share with me, I mean, jewelry is such a, I would say, um, generic. I don’t know that’s the, uh, the right word. I mean, there’s so many different kind of jewelry out there. How, how do you, how do you first of all find that this is the, this is the category that we want to create a business in, because, you know, there must be a lot of competi.
And and, and then also what specific kind of jewelry you want to create. Can you share a little bit about your thought process when you were beginning to start
Lizzy Klein of mazi + zo: this business? Absolutely. It’s um, so you’re a hundred percent right. Jewelry is a really saturated market. It’s one of the most expensive, um, social media ad campaigns you can run.
Uh, so it is important to differentiate and I originally launched. Business for sorority women. Um, because what I noticed online in around 2018 when influencers were coming up, a huge percentage of the younger ones were sorority women. And I would see that they were wearing their sorority sweatshirts and they were wearing, you know, designer bags and things like that.
They put their sorority letters on everything, but they weren’t wearing any sorority jewelry. And I could, So I started looking and why aren’t they doing that? And. It turns out they were trying to sell them the same sorority jewelry they sold me 30 years ago, and it wasn’t cool then. Uh, so I wanted to develop a line that was affordable and accessible, but still high quality and, um, you know, on trend for those women.
And what’s evolved, differentiated besides, you know, that is a niche market. I am, um, uh, I stand very far apart from the other. In my category, they’re all very traditional old brands, or there are a couple of, uh, sort of young, um, new companies that aren’t doing fine jewelry. So they’re making sort of little, you know, less expensive, you know, not long lasting stuff.
Um, And then my business has evolved because so many people appreciated some of the shapes and symbols I was making for the sororities. So for instance, there’s a sorority called Kappa Alpha Beta, and their symbol is a kite and. People liked the kite shape by itself, even if they weren’t capa alpha beta.
And so that led me, they appreciated our design style, which is super minimalist. Uh, and what’s evolved is a line that each piece stands alone. You can wear one piece at a time and it looks great, but everything actually coordinates seamlessly. So for the current trends right now where people mix and match their earrings and everything gets layered and stacked, a lot of people are intimidated.
They think they need to, you know, be a stylist to make it work. Mm-hmm. . And the right thing about my line is it all just goes together. You can make any combo and it’ll work. So you can see I threw three on.
Sushant Misra of TrepTalks: Yeah. I mean, it looks beautiful. Um, obviously I don’t, I don’t know much about jewelry, so like when someone is trying to purchase this kind of jewelry, Are they like going online and they’re searching sorority jewelry?
Or are they like, what is the customer journey for your specific target audience? How do they find you as opposed to Right, like, you know, other,
Lizzy Klein of mazi + zo: other questions I have? Yeah. I have a couple of, It’s, it’s, I do have an interesting mix of audiences. So for sorority women, it’s a combination of, yeah, if you search for sorority jewelry, if you search for kappa alpha theta jewelry, I’m gonna come up pretty high in your results.
And my pictures, it just looks different and they like it. So that works. Um, I obviously do outreach as well to the sorority chapters. Um, direct marketing. What’s nice about that is I’m not doing direct marketing to consumers. It’s almost akin to a B2B because there’s an organization on campus that has contact information and that’s reaching anywhere from, you know, 60 to 500 women with one outreach.
Uh, my consumer for the broader line comes to me in a bunch of different ways. A lot of it, you know, certainly I, I launched the brand as, you know, friends and family, uh, and it’s extended from there. I have, you know, done all kinds of tests with every form of marketing you can imagine. Uh, and what it’s come down to is a couple of niche products tend to bring the customer in and then they shop for.
So, for instance, um, my vote necklace, uh, that I launched in 2020 in order to raise money for Michelle Obama’s organization when we all vote. Um, got a whole lot of attention in the press. Again, it was, there were a lot of vote necklaces out there, but mine was a little sheer, uh, and I built a huge email list off the sales from that.
It’s actually funny, I sort of, um, I have a feeling we’re gonna. Igniting the vote, um, concept this year. So
Sushant Misra of TrepTalks: better. So what, what were you doing before starting this company? Like how did you get interested in jewelry? Were you, or, or business in general? Like, are you an entrepreneur? Um, and yeah. And, and what got you, what motivated you to get into, go into business for.
Lizzy Klein of mazi + zo: Sure. So I started my career in fashion only for a couple of years. Um, became disillusioned frankly, the fashion business can be a little sketchy and, um, you know, wasn’t sort of as businessy as I wanted. I kind of stumbled into the New York City startup community, have worked in startups here in New York.
For, uh, you know, 25 plus years as a founder as working for other people’s startups as an advisor, an investor. So very much in the community. And immediately prior to this business, I had had, um, the previous business was an app in the beauty category that did really well. Uh, and then I was kind of camping out as an entrepreneur in residence with a small venture capital fund, thinking about, Hey, what am I gonna do?
When I had that aha moment looking at Instagram.
Sushant Misra of TrepTalks: Well, so you went from an app software business to uh, direct to, well, do you call it direct to consumer? Uh, or I mean, you’re
Lizzy Klein of mazi + zo: selling I consider my business primarily direct to consumer, but I’ve worked, All the startups that I’ve worked at on in New York City, they’ve all been in the cons, uh, sorry, consumer categories, so health and fitness.
I’ve worked in, you know, beauty, doing hair, not me, doing hair, working on digital. Products related to, um, hair products, um, home shopping, you know, all of those things. So I’ve always been, uh, focused on what it is that people want.
Sushant Misra of TrepTalks: And in terms of the material of the jewelry itself, like is it some sort of a precious material like gold filler and, and what is the manufacturing process like?
Are you getting this manufactured? Within the US is it like, uh, from, uh, an Asian country like China? Absolutely
Lizzy Klein of mazi + zo: not . I am, uh, very proud that we manufacture, um, we are handcrafted here, right here in New York City. I do not want to do any manufacturing overseas. It’s important to me to engage the New York City manufacturing community, uh, and I use exclusively solid 14 car gold and pure sterling silver.
Both are cycle. Um, that’s one of the beautiful things about fines is that they can be recycled and repurposed. So my business is as sustainable as I can. Our manufacturing process is called Lost Wax Casting, which is how Jewelry’s been made since the beginning of time. I will not bore your audience with that.
Everyone can Google . Um, but it’s, you know, it is really old fashioned. If you look at my, um, Instagram reels or, um, there’s some, you can watch some of it happening .
Sushant Misra of TrepTalks: Oh, very interesting. And, and that is a completely, So you place an order, so you have the suppliers or the, um, the, the hand, um, what do you call them?
Uh, the artisans, I guess who create this jewelry. You, the order, you purchase it, uh, in a wholesaler and you, it is that the idea.
Lizzy Klein of mazi + zo: So we send digital files to one shop that 3D prints models, and then that’s the big, that’s the advancement in technology and this kind of jewelry making that used to need to be carved from stone.
Now we can do a 3D print, but um, and then a mold, then that goes to my workshop where something is, a mold is created and then each piece is done by hand and polished by hand.
Sushant Misra of TrepTalks: So this is kinda, um, Business that is heavily based on like the design of the jewelry itself. How do you, So, so you are kind of coming up with the design yourself or maybe you have some help there and what happens if, let’s say you placed an order for like, You know, 500 of a certain kind of piece.
But you find that it’s not selling. Maybe the good thing is that you can repurpose it or like you can melt it again and create another design. Is that the idea? Or do you find that every time you create a new design or set of designs, it’s, it always
Lizzy Klein of mazi + zo: sells out? I mean, I wish that was the case. Sure. But, um, no.
So what happens is, in general, I actually say that my business, every item is made to. Which is not actually true. Okay. I generally keep one or two of everything around. Um, but what’ll happen is, so for instance, when I had this, you know, insane, basically Michelle Obama said was wearing a vote necklace on television, which had everyone googling for vote necklace.
And you know, I had huge influx of orders. I don’t have that kind of number. So on hand I call the workshop, we get it going, we ramp up as quick as we can. And the one. For better or worse, it just can’t be sped up the process. It’s gonna take five business days. Um, there, there’s no way to shortcut that part of things.
Um, but I have found that customers are comfortable with that. Customers who value sort of quality and sustainability and original design can handle waiting a few days.
Sushant Misra of TrepTalks: What kind of, uh, so I know you said that you had your own business. So did you invest your own, um, money into starting business? How did you kinda investment go into.
Lizzy Klein of mazi + zo: Sure. So yeah, I’m a hundred percent self-funded. Uh, the good news is that wasn’t so many funds. I mean, gold is expensive. It just is. Um, but if you think about sort of the design process, I probably for the first test collection, it probably costs me between iterating on designs, right? Recreating them. You don’t tend to recycle the stuff right away, right?
So I’m gonna. Took me about 10 to get to the first design to get it right, things like that. Um, but all in, it was still probably, you know, under $10,000 for my first full collection. Uh, and then, you know, you know how beautiful and easy it is to use Shopify and Flavio, like, you know, 8 million tools that can do this at a really low cost, which I as an entrepreneur appreciate.
Um, because, you know, I Sure I. Spend money on things like packaging and design and those pieces, but all in all, it was not a huge overhead. And then I can, or a huge investment from the start, and I can keep overhead relatively low as long as I’m not holding a ton of inventory
Sushant Misra of TrepTalks: and. So, so, so you created some, some pieces at the beginning, you know, about $10,000 investment, and you, you, in terms of getting your first customers, did you just basically go online, um, and start doing ad campaigns?
How did you, or, or did you even try like, selling it in person, like, Going to, uh, these educational institutions authority, uh, groups and, you know, try to pitch it that way. Like was there any sort of, uh, idea validation process beforehand? Or you basically said, you know, let’s invest thousand dollars, put it online and see if people buy it.
Lizzy Klein of mazi + zo: So I, I would say I probably, you know, I had a little bit. Input on that first group. And when I say 10,000, it was getting past the first product. You know, first product all in was probably a thousand dollars. Right. And then I iterate, you know, added it to the collection. Um, I think there were about 10 pieces in the first collection.
And what I did before going online, before selling was I brought it up, I did it, it’s a licensed, um, sorry, I should say my sorority jewelry is a licensed business. So, um, I have to submit those. To the license or, and have them approved before I can do anything. So take that step. And then I made an appointment up at the Kappa Alpha Beta House here at Columbia University in New York City and asked them if I could host a study break and, you know, college kids, if there’s gonna be, you know, pizza and cookies and stuff like that, their game.
So everyone came, uh, and I really wanted to see what real life college students thought of what we’d done. A hundred percent of the people who were there made a purchase. Technically they made a, um, uh, a pre-order. I didn’t have, you know, I had one of everything. I wasn’t able to mm-hmm. , um, uh, have merchandise on hand yet because I was testing it.
So they, every single woman who came did a pre-order. That gave me a lot more confidence in the business. I initially rolled out with that one sorority and yeah, I did direct mail campaigns. So one of the things about sorority houses is they have physical addresses, they have websites, they have Right.
It’s, it’s, it’s tedious, but I can send a letter to every single one. Uh, and so I started there, uh, and then started adding additional soror. One by one. And again, I have to be licensed for each sorority and then I, for each sorority, I have to have each piece license. So it’s a little bit of a ramp up.
Sushant Misra of TrepTalks: Wow.
So what does that mean? Like, do you have to license it because you are using these names? The, you know, Alpha, whatever. And you’re using these simple, Is that, is that, is that
Lizzy Klein of mazi + zo: the reason you’re, I’m taking letters. So if a, I just came back from Kappa Gamma’s convention, uh, and so to use the three letters, capa, Gamma, like that and target their audience, I need to be licensed to do it.
Wow. Right. It’s just like an MLB team. Or Disney. Right. You can’t use their marks. Take advantage of their brand investment without paying licensing royalty.
Sushant Misra of TrepTalks: Wow. Um,
Lizzy Klein of mazi + zo: so now care, very other brands used, right?
Sushant Misra of TrepTalks: Yeah, yeah, definitely. So I’m, I’m sure they probably have some say in the design or like you create the design, they probably have to approve it or something like that before you can actually
Lizzy Klein of mazi + zo: it, they approve it.
I will tell you, I’ve not yet had the only rejection I had. Because I did a photo wrong. Cause the item was wrong. One sorority has, um, their symbol is a crescent moon. And in the photo I had the crescent moon pointing one way and their actual logo goes the other way. . Mm-hmm. . That wasn’t, that was easy. Flip the photo.
Sushant Misra of TrepTalks: So, so you’re targeting a very specific niche. Um, do you find that as you’re building your brand, as you’re, you know, doing more, you know, I don’t know if you’re doing advertising, but. Putting your brand out there, do you, are you trying to branch out of just authority business? Like are you trying to more direct, more of like the mainstream, um, audience as well?
Is that? Is that, Yeah. Is that, is that your goal? Like
Lizzy Klein of mazi + zo: to become more and Right. So when I was doing this test marketing, we’re talking about the end, or it’s spring of 2019. Sororities break up for the summer. I can’t do a whole lot. Over the summer there. Uh, but what I was finding when I was experimenting and talking to people and just, you know, showing it anywhere I could, uh, was that people really like these shapes, right?
That I make, you know, a whole bunch of stars aren’t so sorority specific. Anyone can wear them. And so we spent time ahead of holiday for 2019 developing a broader collection. Um, we didn’t go too far that first year, but adding, you know, hearts and, uh, you know, across, in a Jewish star and, um, a flower, you know, designs that people are comfortable with and are used to so that I could have something to offer for people who are not affiliated with sorority.
Uh, and did very well in, at the end of 2019. I did some in person events for holiday markets, uh, and the shapes and symbols did really well here in New York. So I, I’ve sort of, it’s, that’s one of my biggest business challenges is where am I putting my effort? And right now, um, until the news of last week, which has changed my focus a little bit, um, I have been focused, um, primarily on the sorority market.
To your, uh, the point you raised earlier. It’s where I’m most differentiated. And the sorority audience. The, the goal here is for that sorority woman to shop with me when she’s in a sorority and continue to shop with me. When she’s graduated from college. So, and that’s happened. I have customers who, you know, I know the first thing they bought was a necklace with their sorority letters on it, and then a year later they bought, you know, an necklace with stars on it.
Sushant Misra of TrepTalks: So, so, so, yeah, I think, I think that’s one thing. Like you, you acquired a customer and then you sell them new designs and things like that. But in terms of going after new customers, Is jewelry purchase? Mostly an impulse purchase? Like, you know, uh, you know, let’s say a woman goes, you know, she may not necessarily, or she may be looking for jewelry in general, going to different sites and she comes to your sites.
Maybe one design really speaks to her and it’s an impulse purchase. You know, she purchases at that point because jewelry is such like, I guess, UBI with us, you know, there’s so many different. Design so many different metals, so many different materials, um, that it’s, you can’t really, I mean, unless it’s like a very niche thing, like a sorority, you can’t really, um, Or, or you have like a very well known brand, you can’t really target a customer like in a very specific way.
Like what is your experience?
Lizzy Klein of mazi + zo: So what I, the experience I’ve had is that there are items, like people do search for things like a lightning bolt necklace. I have a cute one. Uh, they search for something like I have a weed necklace. They like the weed necklace. Um, I’ve also had a lot of good press. Um, my zodiac necklaces were in Bogal.
My, um, vote necklace was in the Huffington Post. My hashtag was in Entertainment Weekly. So people have found me. I think through that, they found me through some bloggers share it. I have tested influencer marketing every which way I know how so far it has not yet worked for me. Um, and I. Invested a decent amount in Google ads as well as social media ads.
And I’ll tell you, the best performing thing for me continues to be seo. Hmm, Just straight seo.
Sushant Misra of TrepTalks: Wow. Have you tried, uh, or Instagram and does it work?
Lizzy Klein of mazi + zo: It. Well, I don’t think TikTok, I think jewelry is a more considered purchase at my price point, you know? Sure. A $30 bracelet or something, you know, something fun I think is less considered.
The other piece that’s challenging for me on social media is, as you can see, my jewelry is very small. Mm-hmm. . So even when I’ve had somebody kind of, you know, big deal wearing. You don’t necessarily, it doesn’t jump out at you. You don’t necessarily notice unless it’s being zoomed in on. So that’s a challenge.
I haven’t cracked it yet, but in the time we’re in right now, I’ve just decided to fo. That’s part of why I focus more on the jewelry market. I mean, sorry, on the sorority market, because I know how to read them. I can, I was at the National convention this week, right? I talked to probably 150 women from that sorority.
You know, look forward to doing more business with them.
Sushant Misra of TrepTalks: So you, you spoke briefly about price point. Can you share a little bit about, you know, how jewelry work, like this kind of jewelry, Um, how does the price point differ, um, you know, compared to yours versus, you know, more of a, I guess, well known branded jewelry?
Is it really depend depending on the material or?
Lizzy Klein of mazi + zo: Sure. So, you know, my goal is to, uh, provide jewelry at the most fair price I can. So I pretty much take my labor and materials, add enough to, you know, keep the lights on, add a little bit of cushion, because gold price changes every day. Um, and that’s sort of where I get to my pricing.
Traditional jewelers. Um, if you go, you know, to the mall or on Madison Avenue to a jewelers, they do more like eight and 10 x markup. Hmm. Um, and then you have an online jeweler. A lot of times if they don’t have a brick and mortar is gonna be more like, you know, three to five x. I’m a bit lower than that.
You know, again, my goal, so for comparable quality and brand, I am less expensive. The names are escaping. The direct ones I don’t really wanna go through, but I’m less expensive than they are. There is another big brand that I also have a jury that is Venture Act. Um, that they come in less expensive than me, but we’re not talking about the same quality, um, which I’m not, no dis to them it’s a different.
Uh, and they also, um, as we don’t know if they’re profitable.
Sushant Misra of TrepTalks: Yeah. Majority is very well known. Um, what, um, what sales channels are you selling primarily? Of course you said, um, you know, you’re going events and, and of course targeting these, uh, sorority, uh, organizations directly. Besides that, are you, is it just your website or are you selling on like other marketplaces like Amazon or Etsy or eBay and things
Lizzy Klein of mazi + zo: like, The only other online marketplace that I’m in is back to the sorority jewelry.
There’s an affiliate marketplace that is run by the licensing organization. Very smart of them. They have an overarching site for all the sororities that they work with, and then many of the own, the sororities themselves have a site, you know, shop tried elk.com. And so I’m featured on those sites. Um, and then the wholesale that I’m just.
Uh, to do outreach on. Um, and that’s primarily the issue you talked about earlier, that it can be expensive to have a lot of inventory. The wholesale, um, economics and cash flow are really different from direct to consumer. So that’s why I’m going slowly there. To your point, I don’t wanna end up with, you know, having purchased and manufactured, you know, a hundred lightning gold necklaces and then have them all return to me, right?
Yeah,
Sushant Misra of TrepTalks: definitely. In terms of your fulfillment and shipping? I mean, the great thing about your business is that, you know, these items are really small and really light, so you don’t, probably don’t need a, a big space to warehouse them. Uh, in terms of shipping, are you selling mostly in the US and, uh, what, what is the, what is the, what are the complexities of shipping a jewelry?
I’m assuming that you have to ensure every package or, or.
Lizzy Klein of mazi + zo: So my jewelry price point, we skipped over that, um, for a pair of silver earrings right now is, um, $68 is probably my lowest. I mean, I sell them individually so you can get, you know, an earring for 34. You can get a thread or earring for $44 and silver.
Uh, and I max out, you know, under three 50. Okay. So we’re not talking about. You know, sending $3,000 pieces through the mail. Um, so I rarely insure, to be honest. I will insure something if there’s, you know, five necklaces in there, I’ll insure it. But overall I don’t think it’s worth, um, you know, that sort of ROI on that probably doesn’t shake out.
And to be. The US Post Office has not lost a piece yet. Okay. Uh, I ship exclusively domestically, uh, and that is because the experiments that I’ve done with shipping. So when I shipped to, I felt terrible. A sorority woman in Canada ordered three gold pieces, so that ends up being a pretty high ticket order.
And when she went to pick it up at the post office, the dues were you. Astronomical, almost as much she paid for jewelry and I can’t do that to somebody. Uh, and then in other places, like for instance, London has very strict rules about how jewelry is treated, um, uh, in London. So for like, I would have to have an ex, another facility at the docks in London to stamp my jewelry and inspect it, which is, that’s cost prohibitive.
So Wow. Right now us domestic.
Sushant Misra of TrepTalks: Cool. Um, in terms of your team, are you a solopreneur? Do you have, uh, other team members that work with you? Um, and how do you manage your business?
Lizzy Klein of mazi + zo: Sure. So primarily me full-time. Uh, I have a designer. I’m the creative director for the brand as well as, you know, marketing, fulfillment, operations, uh, cfo, legal, all of those things.
Um, but I have an incredibly talented designer that I’m really lucky to work with. Um, uh, Daniel Martin Kennedy. Daniel Kennedy Martin, I always mix up his name. Uh, he’s a super talented, he actually, True, uh, sort of talent and where he spends his time is designing very high end men’s jewelry. Uh, he happens to be a friend and I asked him if he’d take a crack at this, and it’s turned out to be a brilliant partnership.
He has pushed the design forward in a way. That would not have happened without his talent. Um, and we have a great balance because, you know, I’m telling he’ll always sort of wanna go super fashion and my customer isn’t that fashion forward. Uh, and so we, you know, have a good tension there. And I work with a production manager as well here in New York.
Um, the jewelry business is pretty insular. Hmm. If I wanted to try and get things made on my own, it’s really challenging. Um, people do not want to work. You had mentioned how many jewelry brands there are in companies. Uh, the manufacturing shops and pieces here aren’t really excited about working with some woman from the tech community who’s never made jewelry in her life.
That’s sort of, uh, not where they wanna spend their time. Uh, and so I have an expert production manager who’s worked with a bunch of huge brands and has now gone out on her own to work with clients like, Uh, and then of course I work with various agencies on marketing and other
Sushant Misra of TrepTalks: things, and so have, have you never tried or would you consider.
Having jewelry pieces manufacture, I guess at, at this stage where your volume may not be that huge, it may not make sense to go overseas, right? Because, um, maybe, maybe if you go to a country like India, let’s say for example, which has a huge jewelry business and you find a lot of, you know, very traditional.
Makers, I guess, um, I guess that may reduce your cost, but at the same time, you, you not have the kinda turn around five day turnaround that you mentioned, um, that you have with working with some of the
Lizzy Klein of mazi + zo: Yeah, that’s one limitation. And the other limitation is that it is important to me to keep production in New York City and support the New York City manufacturing community.
Okay. That’s a part of my ethos that I wanna work with the people here. We pay a fair wage, we, you know, operate as sustainably and ethically as we can, and I can’t see what’s happening if it’s far away.
Sushant Misra of TrepTalks: Definitely. What is your future vision for the business? Do you want to scale this business? Like do you see, where do you see this business, let’s say in five.
Lizzy Klein of mazi + zo: So I have two answers for you, The five year answer, um, for sure wanna scale this business. I would like to be in every sorority house in the country. I would also like to have, you know, a much broader base, um, for my broader. Uh, unaffiliated designs, uh, in the very immediate future. The news on Friday, um, of overturning Roe v.
Wade has me going back to wanting to make a difference and focus a little bit less on the scaling of my business. So I’m going to be launching, um, a new design that with this, um, this design is, I don’t know if you can see, there’s a. The Venus symbol for women? Yes, I’m going to, I have not yet, um, defined the parameters, but I’m going to launch a new piece with this, which are these thread earrings that people are super into.
I’m going to launch that and as a capsule collection to donate the proceeds to an organization that I support. Um, I’m just working out the details cause literally like struck me on Friday and working out the details for that. So I anticipate being pretty focused on that for the next four to six months.
Sushant Misra of TrepTalks: Oh, very cool. Um, so in every entrepreneur’s journey there’s always mistakes made, lesson third failures. Um, can you share maybe one or two of your top mistakes that kind of, you know, jump out to you, Uh, things that you think, you know, I should have not done? Uh, what did you learn from that? And what can other entrepreneurs learn from your
Lizzy Klein of mazi + zo: mistake?
Sure. I think, um, one of the mistakes that I made with my current brand is aside from, you know, the name could be a little tricky, is it was really important to me to have sustainable, reusable packaging. I don’t know, you know, I have a million little jewelry boxes that are just sitting around that nobody needs, and there’s such a waste of materials that I was inspired by packaging I saw on another product, um, which was a little tin.
Uh, that was reusable. I bought something that came in the tin. I kept using that tin to throw, you know, my vitamins in or some change and things like that. Um, so I decided that that was how I wanted to go. My packaging is really simple. It’s a puck shaped, uh, little tin with my sticker on top and some packaging inside.
But what I didn’t totally think through is that when you make a round packaged, everything else needs to be round. So the jewelry card that your jewelry goes in needs to be round. The sticker that goes on top of it needs to be round, and it sounds trivial, but if I run out of something, I cannot run out and get it done right away.
Hmm, Right. I, I’m a little stuck. And so, for instance, I once did an event where, um, I sent, I learned a lesson. I sent my, I never sent the jewelry ahead, but I sent a bunch of the packaging and things ahead of time. Packaged didn’t arrive in time. I had to run into a Michael’s and basically redesign my packaging on the fly because, you know, I could bring stickers with me, but they don’t make sense without the tin and that kind of thing.
So that was, you know, I’m not sure. I don’t, I think I’d still do it again. People really like the packaging and they appreciate it, and I love when people post on social media. The 10 up there, so there’s that. Um, but could have thought through the implications there, but, you know, gone further downstream before I made the call.
Sushant Misra of TrepTalks: So basically, I mean, something like this did, do you think you made the decision in haste or like you didn’t think through all the costs and, and the thing, uh, like what, what
Lizzy Klein of mazi + zo: I think I made the decision too quickly and didn’t, because I did not consider what it was gonna mean for the rest of it. Um, Cool.
Sushant Misra of TrepTalks: Uh, now we’re going to move on to our rapid fire round. And in this, uh, segment, I’m going to ask you a few quick questions where you have to answer maybe in one word or one sentence. Uh, so the first one is one book recommendation for entrepreneurs or business professionals in 2022 and
Lizzy Klein of mazi + zo: y in one sentence,
Um, I’m you to, I’m gonna. Replace your book recommendation with the podcast recommendation. My favorite episode of Freakonomics is called The Upside of Quitting. Okay. And the reason I think everyone should listen to it is it reframes the concept of sunk cost and ROI in a way for entrepreneurs in particular is meaningful.
It will help you understand when it’s time to let go of something.
Sushant Misra of TrepTalks: So is the lesson of that podcast that is? You should quit sooner than you want to, or what is the lesson there?
Lizzy Klein of mazi + zo: The lesson is to always evaluate. To take a look at anything you’re doing and really look at it and understand sun cost doesn’t matter.
Should I continue and make the decision in that present moment? And I think that is incredibly valuable for a lot of entrepreneurs, myself included. You know, I grew up with the ethos of you don’t quit anything, right? Yeah, yeah. They soccer, you’re not quitting . And of course, I would never quit on something that people were counting on before, however, It was very helpful for me.
For instance, my previous business had a natural winding down point, but for any entrepreneur, it’s really hard to walk away from the thing that you love and had to really take a look at it and say, You know what? This is not giving up. This is successful. Go to the next thing. So,
Sushant Misra of TrepTalks: yeah. Yeah, definitely. Uh, an innovative product or idea in the current eCommerce retail or tech landscape that you feel excited about.
Lizzy Klein of mazi + zo: Uh, I’m excited that I think they’ve gotten really good for me in particular, um, selfishly with having a jewelry business, the sort of AI and AR tools for virtual tryon have gotten a whole lot better and I’m looking forward to trying to incorporate, um, I wanna be able to incorporate something that lets you try on earrings and sort of make designs for, cuz you know, people have piercings all over and everywhere and you that you can now stimulate that really.
Sushant Misra of TrepTalks: Are you offering any, any such things on your website right now, or No, I’m not. No. Ok. Um,
a business or productivity tool or software that you would recommend or a productivity tip?
Lizzy Klein of mazi + zo: Uh, I think my biggest productivity tip is to put your to-do list on your calendar because we can all make that list. Whether you wanna say your list is three things, or five things, or 10 things. I know there’s a lot of schools of thought around that.
If you don’t map out how long those. Things take, it doesn’t matter. And so I do, I not only put my top three priorities of the day on my calendar, I also put in things like lunch and exercise and walking the dog. Because if you, again, if you don’t put those in, there’s no time for priorities. And I think it really helps you focus on doing the right, uh, your highest priority items that day.
Sushant Misra of TrepTalks: And what happens if like you put something in your calendar. And let’s say you, you scheduled something 30 minutes for something, right? And it actually takes you to do like 45 minutes or 50 minutes. Now you have encroached on the next item of your thing. How do you manage that?
Lizzy Klein of mazi + zo: I mean, frankly, the same way you would if you hadn’t put it on your calendar, right?
I gotta reassess at the end of that. I mean, I, I do try to, if I’ve said something’s gonna take, I’m gonna spend a half hour on something and I do try and take a step back and say, Is it better for me to spend another half hour and finish? Or is it better for me to switch gears? You know, and to make that decision.
But if I need to, if I need to continue doing that for a half hour, okay, something else gets, you know, but again, that happens whether I write it down or not. So,
Sushant Misra of TrepTalks: um, a startup or business in eCommerce retailer tech that you think is currently doing, Sorry, can you say that again? A startup or business, uh, in e-commerce, retail or tech that you think is currently doing great things.
Lizzy Klein of mazi + zo: Uh, I think that is a tie between. Shopify and can, I’m really impressed with how both of them have evolved to serve their customers in a way that really empower, you know, I am, you know, just technical enough to be dangerous and I’m not a designer by trade. Uh, the fact that between the two of those things, how far I can get, I think is really impressive.
Sushant Misra of TrepTalks: Yeah, those are definitely great, great tools. Uh, a peer entrepreneur or business person whom you look up to or someone who inspires.
Lizzy Klein of mazi + zo: Norma Kamali, she is a designer. I dunno if you’re aware of her. Um, she’s an apparel designer who’s been around. I mean, I think she launched in the sixties, maybe seventies.
Um, she’s still working, she’s still putting out great things. She has evolved with the time. She, um, now on TikTok and Instagram is doing yoga videos with her granddaughter. Um, she’s just the coolest .
Sushant Misra of TrepTalks: Cool. Uh, and final question. Best business advice you have ever received or you would give to other entrepreneurs?
Lizzy Klein of mazi + zo: I’m thinking. Um, I think, well, somebody once told me, here’s one that I ever try and keep in mind, somebody once told me, You can learn something from everyone you talk to. And I thought that was really valuable advice for, for instance, you might be interviewing somebody for a position and you know, from the first five minutes they’re not gonna be your person.
And I don’t wanna waste somebody’s time. But at the same time, you’re gonna say, you’re gonna, you’re not gonna be done talking to them in five minutes. What could you learn in the other 25? Uh, and I think that’s a helpful way to approach talking to people, particularly people who are coming from like entirely different industries.
Environments, cultures, whatever it is. Um, I’m often inspired by, you know, a tidbit that somebody tells me about something else completely well, that’ll somehow translate in my brain to something that works for me. So
Sushant Misra of TrepTalks: that, that’s great advice. So those were all the questions that I had today. Thank you so much for taking the time, uh, to join the podcast for sharing your business story startup story.
And all the strategies and tactics that you have used to start and grow your business. So thank you so much Again, if anyone wants to, uh, go and check out your products, what is the best way, uh, for them to do that? And what if, what is the best way for, uh, people to get in touch
Lizzy Klein of mazi + zo: with you? Sure, thank you for having me.
Uh, you can find me online@maziandzoe.com, M A Z I A N D Z O, and you can follow us online at Mazi and Zoe on Instagram. And, uh, if you wanna shop the site, I made a discount code for your audience called Talk 20, uh, for 20% off your purchase. And I’ll make that live for 30 days after this air.
Sushant Misra of TrepTalks: Perfect.
Thank you. Thank you so much l for, for doing that. And uh, thank you so much again for your time today. I really, really appreciate your, and yeah, all the best.
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